Millennials are known as entitled, but as a group, I don’t think we could have lower expectations.

I’ll go: I don’t expect to own a home. I don’t expect to retire well, or at all. I don’t expect anyone to give me anything I haven’t explicitly asked for, and even then. I don’t expect it will ever be affordable to continue my education in any formal way. If a package gets lost in the mail, I don’t expect to see it again. I don’t expect the government or the banks or the universities to do anything that benefits regular people. I don’t expect them to hold each other accountable on our behalf. I don’t expect them to expel abusers from their ranks, or to put my safety over their legacy. I don’t expect to feel safe in large crowds or alone late at night. And I don’t expect that my privacy will be respected, online or in general.


In closing, I’d like to stress that the best tools at our disposal for mastering composition are not bought from camera stores — they are within us. To better express something about our subject matter and ourselves in our photographs, we should take steps to engage more in the process. Before we start we need to take time to establish a relationship with our subject matter; to engage our hearts and emotions. Secondly, we need to engage our imaginations; to let them run wild to form our vision for an image.

Then, perhaps, we bring our cameras and our eyes into the process. That is to say, having formulated a vision we now use our eyes objectively to see what is actually in the scene. Then, we try to engineer the scene, which may involve simply waiting fo something to move, or adjusting our camera, lens, or shooting position, that the scene best reflects our vision. We do this largely by bringing our bodies into play; using our legs to explore the scene and the options different viewpoints offer.

  • Richard Garvey-Williams, Mastering Composition: The Definitive Guide For Photographers