The Roundup for March 3 – 9, 2018 Edition

Bang! by Christopher Parsons

I’ve been on a speaking circuit this week, and so living a quasi-nomadic life. It’s a very strange experience to be shuttled between locations and across vast distances, all with only a modicum of awareness of all the places I’m scheduled to attend, persons I’ll be meeting, and expectations I will have to meet. I don’t mean to say that I don’t know why I’m travelling, or what I’ll be speaking about, but that the aspects of travel itself are often almost entire dealt with by other parties. There is no effort to determine where I need to go: someone will take me to the designated address. I don’t need to find a place to eat: I’ll be taken to where I need to eat. I don’t need to figure out where to sleep: someone else will determine that.

I contrast it with trips I take for personal relaxation and it’s a totally different experience. Tomorrow, as an example, I’ll be landing in a new place where I don’t speak the language and have no read guidance once I’m there. There are a few tent pole events — nature hikes! — but otherwise time will be entirely unoccupied with designated tasks or todos other than exploring. I actually find this kind of travel deeply uncomfortable because it feels so uncontrolled, but every time I learn a great deal more about the world, and how I should readjust my perceptions of that world.

While shuttling between places for conferences and events is intellectually stimulating it doesn’t tend to push me into uncomfortable spaces that facilitate growth. The exact opposite is true of personal travel. I half wonder, though: if I didn’t travel so often for work where things are scheduled and I’m attended to, would I prefer personal travel that had those characteristics? Would visiting resorts have some resonance if I wasn’t functionally visiting them for work on a semi-regular basis?

Great Photography Shots

I really like these simple compositions which were made with smartphones.

Pier‘ by Nikhil Kulkarni
Bird on a cold tin roof!‘ by Jaz Oldham

Music I’m Digging

Neat Podcast Episodes

Good Reads for the Week

Cool Things

The Roundup for February 24-March 2, 2018 Edition

Evening Dream
Evening Dream by Christopher Parsons

For the past few weeks I’ve been deliberately constraining my photography by shooting exclusively by a 35mm equivalent lens. This was the focal length that really convinced me that I enjoyed photography as a way of seeing and experiencing the world. I’m a big fan of zoom lenses, and keep eyeing the Olympus 12-40mm 2.8 Pro lens, but I find that I learn the most about a scene by having to walk around it with a bright prime lens.

Alien Reach
Alien Reach by Christopher Parsons

When I travelled to Cuba, having to march around with a 50mm equivalent lens meant I went into entirely new places and angles that I wouldn’t have if I’d had a zoom lens to otherwise get a shot. And while I’ve previously used my 35mm equivalent, I have to admit that I’ve been far more reliant on some of my zooms and the 50mm; I just haven’t focused on learning to use the 35mm lens because there is so much more walking-by-zooming that I have to do with it compared to even my other prime lenses.

Sound Off!
Sound Off! by Christopher Parsons

But that’s silly: I enjoy the focal length, I just have to work a lot more to get things out of the camera. So I’ve been using it at night, during the day, and exclusively attached it to my camera body for the past month and intend to bring it (along with an 80-300mm equivalent lens) when I travel to South America in a week and change. I like the idea of an unobtrusive lens as my walkabout, and then the zoom for when I’ve trekking through nature. And, perhaps most importantly, I really like the idea of forcing myself to get a lot more comfortable with my current gear as a way to inhibit my desire to buy more gear: I have functionally underused equipment, and I should be playing with it, first and foremost, before even considering the purchase of new kit.

Inspiring Quotation

“We start on the path to genuine adulthood when we stop insisting on our emotional competence and acknowledge the extent to which we are – in many areas of our psyche – likely to be sharply trailing our biological age. Realising we aren’t – as yet, in subtle ways – quite adults may be the start of true maturity.”

Great Photography Shots

Mobiography’s landscape photography shots are really, really amazing and showcase just how much you can do with a contemporary smartphone and good lighting conditions.

Jagged horizon, Monument Valley…
Jagged horizon, Monument Valley… by Joseph Cyr
It’s been a good day… full of weather again..
It’s been a good day… full of weather again.. by Fi Austin
Snow & Fishing Cottages
Snow & Fishing Cottages by Jen Pollack Bianco
Windswept by lkbside

Music I’m Digging

Neat Podcast Episodes

Good Reads for the Week

Cool Things


Cellebrite can unlock any iPhone (for some values of “any”)

An update by Ars Technica on Cellebrite’s ability to access the content on otherwise secured iOS devices:

Cellebrite is not revealing the nature of the Advanced Unlocking Services’ approach. However, it is likely software based, according to Dan Guido, CEO of the security firm Trail of Bits. Guido told Ars that he had heard Cellebrite’s attack method may be blocked by an upcoming iOS update, 11.3.

“That leads me to believe [Cellebrite] have a power/timing attack that lets them bypass arbitrary delays and avoid device lockouts,” Guido wrote in a message to Ars. “That method would rely on specific characteristics of the software, which explains how Apple could patch what appears to be a hardware issue.”

Regardless of the approach, Cellebrite’s method almost certainly is dependent on a brute-force attack to discover the PIN. And the easiest way to protect against that is to use a longer, alphanumeric password—something Apple has been attempting to encourage with TouchID and FaceID, since the biometric security methods reduce the number of times an iPhone owner has to enter a password.

This once again confirms the importance of establishing strong, long, passwords for iOS devices. Sure they’re less convenient but they provide measurably better security.


Serious Vulnerabilities (Probably) Found in All iOS Devices

From Forbes:

The Israeli firm, a subsidiary of Japan’s Sun Corporation, hasn’t made any major public announcement about its new iOS capabilities. But Forbes was told by sources (who asked to remain anonymous as they weren’t authorized to talk on the matter) that in the last few months the company has developed undisclosed techniques to get into iOS 11 and is advertising them to law enforcement and private forensics folk across the globe. Indeed, the company’s literature for its Advanced Unlocking and Extraction Services offering now notes the company can break the security of “Apple iOS devices and operating systems, including iPhone, iPad, iPad mini, iPad Pro and iPod touch, running iOS 5 to iOS 11.” Separately, a source in the police forensics community told Forbes he’d been told by Cellebrite it could unlock the iPhone 8. He believed the same was most probably true for the iPhone X, as security across both of Apple’s newest devices worked in much the same way.

If Cellebrite has, indeed, found a way of compromising all iOS devices then they’ve accomplished a pretty impressive task. I have to wonder whether the vulnerabilities emerged from studying the iBoot leak or their own software or hardware research. Assuming Cellebrite’s claims are legitimate they serve to underscore the position that government’s shouldn’t introduce backdoors or vulnerabilities into devices given that doing so will only exacerbate the existing problems associated with securing devices. Security is designed to add friction, not totally prevent an unauthorized party’s actions, and deliberately reducing such friction will put all users at greater jeopardy.

The Roundup for February 17-23, 2018 Edition

Midnight sunrise by Christopher Parsons

I find it really hard to identify the stories in my photographs, prior to actually pushing the shutter button. When I look through, say, my best photos of 2017 I can see which ones have stories embedded within them but it’s a pretty rare thing that I saw, and decided upon, the story before taking the shot. In part, I think that my challenges are linked to only taking my photography more seriously for a relatively short period of time.

But some of the difficulties I’m encountering are also linked with my still learning to take ‘technically’ good photos, after which I think I’ll be more comfortable with more ‘narrative’ style shots. And I want to get better at the latter because I take Martino Pietropoli‘s statement pretty seriously: “Good photos tell stories. Average photos are just beautiful.”

Pietropoli’s article is excellent, insofar as he spends the time to walk through not just the importance of building a story into a photograph but because he also shows examples. In choosing examples he doesn’t merely say ‘here are narrative photos’ but, instead, he spends the time to spell out some of the narratives which might be bundled up in the shots in question. For me, his article was a particularly clear and poignant way of thinking through what stories might be in any given shot, and also as a way to differentiate between what he identifies as narrative versus ‘merely’ beautiful shots.

If I have one critique of the article — and I think it’s pretty minor — it’s that there’s an assumption that someone understands how to take photographs competently, and using this basic competence they can take shots with story. Put another way: I think that a lot of the efforts to create popular stylistic shots are very helpful in teaching people how to use their cameras and lenses, and to think through the importance of framing. Does that mean the people may end up with a series of ‘generic’ skills that many other photographers can roughly approximate or precisely imitate? Absolutely. But just as it’s important to learn how to write the five paragraph essay before breaking into longer-form writing that breaks all the rules of that high school essay format, learning the high-school format in the first place is an important skill that leads to more advanced writing.

I think that spending time looking at Instagram or Flickr or other places which hold ‘beautiful’ images is entirely appropriate for those who are learning to take photographs, and take them seriously. But I also tend to agree with Pietropoli that a photographer must eventually come to a decision: will their photographic style focus principally on technically beautiful shots or, instead, try to engage with the world by evoking emotions and reactions linked to the stories contained in their photos.

New Apps and Great App Updates from this Week

  • Cypher – a puzzle game about the history of cryptography

Great Photography Shots

I was really impressed with a range of the shots which won in the 2017 International Photographer of the Year contest.

Wave Crashers’ by Emily Kaszton. First Place, Nature: Aerial (Professional).
‘Neon Desert’ by Stefano Gardel. International Fine Art Photographer of the Year
‘Battersea’ by Giulio Zanni. Second place, Open Category: Long Exposure (Amateur)
‘Untitled’ by Pedro Diaz Molins. Second place, Fine Art: Photomanipulation (Amateur)
‘Lighting Clothes’ by Ramon Vaquero. Third place, People:Fashion/Beauty (Professional)
‘Desert Essential’ by Giovanni Canclini. First place, Open Category: Open Theme (Amateur)

Music I’m Digging

Neat Podcast Episodes

Good Reads for the Week


The Forgotten History of New York’s Bagel Famines

Natasha Frost haswritten a really great piece on the history of bagels in New York:

The men of Bagel Bakers Local 338 were not to be trifled with. Founded in the 1930s, all 300-odd initial members were Yiddish speakers who descended from these hardy early bakers. Joining required a family connection—though this wasn’t sufficient on its own. Only after three to six months of apprenticeship, once a “bench man” had attained a minimum rolling speed of 832 bagels an hour, could members’ sons and nephews be grudgingly brought into the fold and given labor cards.

But Local 338 was different. Bagels were acquiring a special cachet among Jewish Americans, and bakers grew wise to the value of their special skills. Within eight years of formation, the union had contracts with 36 of the largest bakeries in the city and New Jersey. They had a ferocious reputation—non-union bagel makers were few and far between, and the holdouts experienced threats and day-and-night picketing until they toed the line.

I had no idea just how political bagel making was, nor how significantly the union was brought to its knees following the creation of Thompson’s ‘bagel machine’ in the 1950s. If you love your morning bagels — and spend the time to hunt down places that still make them by hand — you’ll love the article that Frost has put together.