My Glass Public Profile

I’ve recently written about the concerns that I have about Instagram, and my assessment of whether I wanted to port my online photo sharing to either Flickr or Glass. As of October 27, Glass has enabled public profiles so non-members can view the work that photographers have published on the service. You can check mine out!

I…really like how the profiles look on Glass at the moment. I’ve been posting with some frequency (all black and whites, with a focus on street photography) and the flow model to capture and then post photographs has been simple and seamless.

I also really like the experience of having to comment on other photographs instead of ‘liking’ them. This engagement strategy means that when I interact with other photographers’ pieces I need to leave at least some kind of meaningful comment. As a result, I need to slow down and think a bit more about a photograph and I think that’s a good thing for me–the viewer–and the photographer who hopefully gets more meaningful (if less frequent) engagement.

I like Glass enough that I’ve ponied up for a one year subscription. The developers are pushing out significant quality of life updates to the application and, on the whole, it’s currently pretty fun to use and is clearly intended to be used by photographers, as well as other individuals who are interested in photography and just don’t want to deal with the grossness of Instagram and want something a little fresher than Flickr.

Based on my experiences thus far I’d heartily recommend that you check out the service, as well as my public profile!

Photography and Social Media

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(Passer By by Christopher Parsons)

Why do we want to share our photos online? What platforms are better or worse to use in sharing images? These are some of the questions I’ve been pondering for the past few weeks.

Backstory

About a month ago a colleague stated that she would be leaving Instagram given the nature of Facebook’s activities and the company’s seeming lack of remorse. Her decision has stuck with me and left me wondering whether I want to follow her lead.

I deleted my Facebook accounts some time ago, and have almost entirely migrated my community away from WhatsApp. But as an amateur photographer I’ve hesitated to leave an app that was, at least initially, designed with photographers in mind. I’ve used the application over the years to develop and improve my photographic abilities and so there’s an element of ‘sunk cost’ that has historically factored into my decision to stay or leave.

But Instagram isn’t really for photographers anymore. The app is increasingly stuffed with either videos or ads, and is meant to create a soft landing point for when/if Facebook truly pivots away from its main Facebook app.1 The company’s pivot makes it a lot easier to justify leaving the application though, at the same time, leaves me wondering what application or platform, if any, I want to move my photos over to.

The Competition(?)

Over the past week or two I’ve tried Flickr.2 While it’s the OG of photo sharing sites its mobile apps are just broken. I can’t create albums unless I use the web app. The sharing straight from the Apple Photos app is janky. I worry (for no good reason, really) about the cost for the professional version (do I even need that as an amateur?) as well as the annoyance of tagging photos in order to ‘find my tribe.’

It’s also not apparent to me how much community truly exists on Flickr: the whole platform seems a bit like a graveyard with only a small handful of active photographers still inhabiting the space.

I’m also trying Glass at the moment. It’s not perfect: search is non-existent, you can’t share your gallery of photos with non-Glass users at the moment, discovery is a bit rough, there’s no Web version, and it’s currently iPhone only. However, I do like that the app (and its creators) is focused on sharing images and that it has a clear monetization schema in the form of a yearly subscription. The company’s formal roadmap also indicates that some of these rough edges may be filed away in the coming months.

I also like that Glass doesn’t require me to develop a tagging system (that’s all done in the app using presets), let’s me share quickly and easily from the Photos app, looks modern, and has a relatively low yearly subscription cost. And, at least so far, most of the comments are better than on the other platforms, which I think is important to developing my own photography.

Finally, there’s my blog here! And while I like to host photo series here this site isn’t really designed as a photo blog first and foremost. Part of the problem is that WordPress continues to suck for posting media in my experience but, more substantively, this blog hosts a lot more text than images. I don’t foresee changing this focus anytime in the near or even distant future.

The Necessity of Photo Sharing?

It’s an entirely fair question to ask why even bother sharing photos with strangers. Why not just keep my images on my devices and engage in my own self-critique?

I do engage in such critique but I’ve personally learned more from putting my images into the public eye than I would just by keeping them on my own devices.3 Some of that is from comments but, also, it’s been based on what people have ‘liked’ or left emoji comments on. These kinds of signals have helped me better understand what is a better or less good photograph.

However, at this point I don’t think that likes and emojis are the source of my future photography development: I want actual feedback, even if it’s limited to just a sentence or so. I’m hoping that Glass might provide that kind of feedback though I guess only time will tell.


  1. For a good take on Facebook and why its functionally ‘over’ as a positive brand check out M.G. Siegler’s article, “Facebook is Too Big, Fail.” ↩︎
  2. This is my second time with Flickr, as I closed a very old account several years ago given that I just wasn’t using it. ↩︎
  3. If I’m entirely honest, I bet I’ve learned as much or more from reading photography teaching/course books, but that’s a different kind of learning entirely. ↩︎
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Links for December 7-11, 2020

Links for December 7-11, 2020

  • Frustrating the state: Surveillance, public health, and the role of civil society || “…surveillance in times of crisis poses another threat. By granting states unfettered power through emergency orders, data collected through digital surveillance could be shared across agencies and used for purposes beyond the original intention of fighting COVID-19. In states where democratic backsliding has been underway, surveillance could be used to deter dissent and silence government critics. According to Verisk Maplecroft, a risk consultancy firm, Asia is now the highest risk region in both their “Right to Privacy” and “Freedom of Opinion and Expression” indices as “strongmen” in Asia capitalize on the pandemic.” // Surveillance is, almost by its nature, inequitable and the potential harms linked with pandemic surveillance are neither novel nor unforeseeable.
  • Rebecca Solnit: On not meeting nazis halfway || “… the truth is not some compromise halfway between the truth and the lie, the fact and the delusion, the scientists and the propagandists. And the ethical is not halfway between white supremacists and human rights activists, rapists and feminists, synagogue massacrists and Jews, xenophobes and immigrants, delusional transphobes and trans people. Who the hell wants unity with Nazis until and unless they stop being Nazis?”
  • Instagram’s latest middle finger || “…Instagram is now nearly completely unrecognizable from the app that I fell in love with. The feed of images is still key, but with posting now shoved into a corner, how long until that feed becomes a secondary part of the service?” // Cannot agree more.
  • The Epicenter // The storytelling for this piece on the experiences of the Covid-19 outbreak is poorer areas of New York by the NYT is simultaneously beautiful and heartbreaking.
  • Poor security at online proctoring company may have put student data at risk || “Kumar, CEO of Proctortrack’s parent company Verificient, says students have “valid concerns” and that he sympathizes with their discomfort. Proctoring software is “intrusive by nature” he says, but “if there’s no proctoring solution, institutions will have to totally change how they provide exams. Often you can’t do that given the time and limitations we have.”” // Justifying producing a gross product on the basis that if you didn’t other organizations would have to behave more ethically is a very curious, and weird, way of defending your company’s very existence.
  • China rethinking its role || “China’s use of war memory to shape its international position has been much less effective overseas than it has at home. However, the significance of its efforts is real, and may become more effective over time. China wants to create a global narrative around itself which shares a common understanding of the modern world – the idea that 1945 is the beginning of the current order – but places China at the heart of the creation and management of that order. The narrative had more power during an era when the US, anomalously, had a leader who cared little for the order shaped by America in Asia since 1945. Now that a president with a more long-range view of the role of the United States is about to take office, we may see something different again: two differing versions of what 1945 meant in Asia, as defined by Beijing and Washington – and the competition for moral standing that comes from the embrace of that legacy.” // This is a fascinating recounting of how China is re-interpreting activities undertaken by Nationalist forces during World War Two, today, to justify its efforts to be more assertive in the international order today. Like so much in China, understanding how narratives are built and their domestic and foreign rationales and perceived utility is critical to appreciate the country’s foreign policy ambitions, and those ambitions’ potentials and limitations.
Aside

2018.9.6

I think I’m going to actively crosspost all the photos I post on Instagram here, on my personal website, as well. I find more value posting photos on Instagram because that’s where my community is but, at the same time, I’m loath to leave my content existing exclusively on a third-party’s infrastructure. Especially when that infrastructure is owned by Facebook.

The State of Instagram

(Rise Up! by Christopher Parsons)

I owe a lot to Instagram. Starting in January 1, 2017 until October 2017 I began a project of uploading a photo a day (or thereabouts) and, in the process, I learned an awful lot about how to use my cameras, shots that I tend to prefer taking, and the cool stuff you could do by looking at other photographers’ shots.

It was pretty great.

But for reasons I’ve previously written about I’ve drifted away from regular postings to Instagram or even taking photographs with the regularity of the last year. Specifically, I wrote:

… something is changing in how I approach photography itself, at least right now: I don’t want as many amber memories, and instead want to enjoy the development and unfolding of certain memories, and feel more comfortable in the knowledge that the ‘final’ memories I’ll have will be even more subjective than those associated with photographs. Some will even vanish in their entirety.

In fact, from November 2017 – April 2018 I didn’t post a single photo to Instagram and only logged in once or twice.1 But my not uploading photos has been nagging me because I know that part of why I was taking shots — and getting good ones! — was because I had been actively trying to upload stuff on a regular basis. Instagram was a method for pushing me to practice my own skills and, occasionally, receiving feedback on the shots I was getting.

So I dipped my toe back in, with a fresh upload, and then started to browse my feed. As usual, there were great photographs from the photographers that I follow.2 But there were also a lot of ads. I mean, every 5-7 images was another ad. That really, really, really sucked because it made the platform a lot less enjoyable to browse and look at; it was less a network of people, and more an ad network that was interspersed with real people’s photographs.

So what I’m going to do is upload a photo a week, or so, to Instagram because I’d like to keep my profile alive. But I’m not going to invest the time in the platform that I did in the past. And, instead, I’m going to reflect on where I want to put my content, why I want it there, and with what regularity I want to upload photos to the public Internet. That’s part of an activity I’ve been undertaking over the past year but I’d honestly thought that Instagram might remain a fun place to interact with people. Sadly, it looks like that might not be the case after all.

  1. I was, however, taking photos during that period though not with daily-regularity.
  2. I don’t tend to follow people, including friends and family, unless they take shots I find aesthetically pleasing. So there aren’t a lot of family photos, breakfast shots, or other site such material that make their way onto my feed very often.
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Promoting Instagram Addiction

From The Globe and Mail:

Matt Mayberry, who works at a California startup called Dopamine Labs, says it’s common knowledge in the industry that Instagram exploits this craving by strategically withholding “likes” from certain users. If the photo-sharing app decides you need to use the service more often, it’ll show only a fraction of the likes you’ve received on a given post at first, hoping you’ll be disappointed with your haul and check back again in a minute or two. “They’re tying in to your greatest insecurities,” Mr. Mayberry said.

I didn’t know that how ‘likes’ were doled out were designed to get you to keep coming back into social media applications. If Instagram is toying with its users this way then I’m going to seriously evaluate whether I ever want to use the application again. Activities like those described are just slimy and I don’t feel the need to provide such companies with either my content or my attention.

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The Problem of Botting on Instagram

Calder Wilson at Petapixels:

Instagram’s Terms of Use make it clear that botting is a no-no. Over the past couple of years the platform has implemented anti-spam/anti-bot restriction, which does things like prevent accounts from liking too many photos in a short amount of time or commenting the same thing again and again. It’s obvious they oppose using bots ideologically, and it’s very easy to determine who’s using them or not, so why don’t they do something about it?

For one thing, Instagram is killing it right now. Every time Facebook reports their financial earnings, they need to show robust growth in their flagship products; almost just as importantly, they need to show healthy engagement. Growth and engagement are the life forces of Facebook’s stock, and any decrease in either can send shares south.

Now, consider that my @canonbw account was liking over 30,000 photos every month along with thousands and thousands of comments. That doesn’t even include the activity generated from people responding and liking my images/following me in return. If I took every Instagram user I know in my life who doesn’t use a bot, it’s more than likely that my single account generated more “activity” than everyone else over the last year combined.

If we take into account the massive number of people botting everyday all around the world, the number of likes and comments are astronomical. It’s very unlikely that this huge engagement engine will ever be shut down by Facebook Inc. The relationship between Instagram and botters is seemingly symbiotic, but I argue that in the long run, Instagram suffers.

The problems linked with false engagements fuels the life of Facebook as a public company, while turning the actual product space into one that is as demoralizing as Facebook itself. A growing number of academic articles are finding correlations between Facebook use and depression, in part linked to how much content is liked. While Instagram use remains relatively strongly correlated with happiness, will this persist with the growing rise of bots?