Categories
Photo Essay Photography

Vacation Street Photography Challenge

(Come Towards the Light by Christopher Parsons)

This year I took a very late vacation while Toronto was returning to its new normal. I’ve been capturing the city throughout the COVID-19 pandemic and I wanted to focus in on how the streets felt.

During the pandemic we’ve all been attached to our devices, and our phones in particular, and thus decided to document the city through the lens of our ever-present screen: the smartphone. I exclusively shot with my iPhone 12 Pro using the Noir filter. This filter created a strong black and white contrast, with the effect of deepening shadows and blacks and lifting highlights and whites. I choose this, over a monotone, as I wanted to emphasize that while the city was waking up there were still stark divides between the lived experiences of the pandemic and a continuation of strong social distancing from one another.

95% of my photos were captured using ProRaw with the exception of those where I wanted to utilize Apple’s long exposure functionality in the Photos application.

Darkroom Settings

In excess of the default Noir filter, I also created a secondary filter in Darkroom that adjusted what came off the iPhone just a bit to establish tones that were to my liking. My intent was to make the Noir that much punchier, while also trying to reduce a bit of the sharpness/clarity that I associate with Apple’s smartphone cameras. This adjustment reflected, I think, that digital communications themselves are often blurrier or more confused than our face-to-face interactions. Even that which seems clear, when communicated over digital systems, often carries with it a misrepresentation of meaning or intent.

Categories
Photo Essay Photography Writing

One Year Later

This long form photoessay showcases the absences that have been wrought by the pandemic in my city of Toronto, Ontario. The essay provides a meditation on a world of social isolation and distancing, and how the spaces that have historically united and bound Toronto’s residents have been left empty or made safe in response to being associated with risk and disease. Throughout, people are represented as separate from one another in their efforts to socially and physically distance, with individuals, pairs, or very small groups standing in juxtaposition to the much larger built world they inhabit.

All of the images were created using a combination of a Fuji X100f, Sony rx100ii, iPhone 11 Pro, and iPhone 12 Pro. Images were edited to taste using Apple Photos (for cropping) and Darkroom; two images had some healing applied using Snapseed.

(Parked I by Christopher Parsons)
(Looking to the Past by Christopher Parsons)
(Temporary Gigs by Christopher Parsons)
(Chance of Clouds by Christopher Parsons)
(Pals by Christopher Parsons)
(Unhoused by Christopher Parsons)
(Embracing Walk by Christopher Parsons)
(Time Alone by Christopher Parsons)
(Light and Tunnel by Christopher Parsons)
(Contemporary Ruins by Christopher Parsons)
(Stay Safe by Christopher Parsons)
(Urban Emptiness by Christopher Parsons)
(Comfort Run by Christopher Parsons)
(Down, Not Out by Christopher Parsons)
(Hope by Christopher Parsons)
(Dockside by Christopher Parsons)
(Not So Soon by Christopher Parsons)
(Signs by Christopher Parsons)
(Hydrophobic by Christopher Parsons)
(Social Distancing I by Christopher Parsons)
(Gateless by Christopher Parsons)
(Through a Glass Darkly by Christopher Parsons)
(Riderless by Christopher Parsons)
(Summer I by Christopher Parsons)
(Summer II by Christopher Parsons)
(Closing Time by Christopher Parsons)
(The Visitor by Christopher Parsons)
(Waiting for Next Summer by Christopher Parsons)
(Ride by Christopher Parsons)
(Parked II by Christopher Parsons)
(Christmas 2020 by Christopher Parsons)
(Message by Christopher Parsons)
(Racing the Light by Christopher Parsons)
(Midnight Stroll by Christopher Parsons)
(Spotlights by Christopher Parsons)
(Calm by Christopher Parsons)
(Arachnid Problem by Christopher Parsons)
(Urban Eatery by Christopher Parsons)
(Observer by Christopher Parsons)
(Couples by Christopher Parsons)
(Seeing Stars by Christopher Parsons)
(In The Neighbourhood by Christopher Parsons)
(Closed for New Year by Christopher Parsons)
(Social Distancing II by Christopher Parsons)
(The Walk by Christopher Parsons)
(They Are Legend by Christopher Parsons)
(The Theatre by Christopher Parsons)
(Focused by Christopher Parsons)
(Empty Stage by Christopher Parsons)
Categories
Photography

Closing Time

(Closing Time by Christopher Parsons)
Categories
Humour Photography

Ralphie

Ralphie | Photo made using a Fuji X100f in Barrie, Ontario

Categories
Photography

Shooting Ghosts

Shooting Ghosts | Photo made using an iPhone 7 (long exposure mode) in Kensington Market, Toronto.

Categories
Photography

Black and White, Compacted

I’ve been spending a lot of time seriously reacquainting myself with my Sony rx100m2. This is an older camera at this point, but I’ve made a decision that I exclusively shoot black and white on it, and this is the camera that is (almost) always with me. I’m basically forcing myself to actually shoot black and white, as opposed to adding black and white filters to colour photos. It means some colour shots are probably “lost” but, at the same time, a whole pile of amazing shots (to my eye) are being captured because I’m learning a whole new way of seeing the world.

Below are some of the happier results of this experiment; I can definitely see a future where I print out a pile of these types of photos to put up around my office or home.

The Race! by Christoper Parsons

Stand! by Christopher Parsons

Home by Christopher Parsons

The Spot by Christopher Parsons

Trapped by Christopher Parsons

Apparition by Christopher Parsons

Categories
Photography

Trek

Trek. Photo made with Olympus EM-10ii and Olympus M.Zuiko Digital 17mm F1.8 at Blue Mountain on September 12, 2017. Edited in Apple Photos and Polarr.

Categories
Photography

Lines

Lines by Christopher Parsons

Categories
Photography

Sacrifice

Categories
Photography

Lover’s Embrace

Photo made with an Olympus EM10-ii and a 25mm Panasonic 1.8 lens at Lake Ontario in Kingston on June 17, 2017. Edited in Apple Photos.