
This year I took a very late vacation while Toronto was returning to its new normal. I’ve been capturing the city throughout the COVID-19 pandemic and I wanted to focus in on how the streets felt.
During the pandemic we’ve all been attached to our devices, and our phones in particular, and thus decided to document the city through the lens of our ever-present screen: the smartphone. I exclusively shot with my iPhone 12 Pro using the Noir filter. This filter created a strong black and white contrast, with the effect of deepening shadows and blacks and lifting highlights and whites. I choose this, over a monotone, as I wanted to emphasize that while the city was waking up there were still stark divides between the lived experiences of the pandemic and a continuation of strong social distancing from one another.
(Between Frames by Christopher Parsons) (Calm Decay by Christopher Parsons) (Reflections by Christopher Parsons) (The Guarded Groom by Christopher Parsons)
95% of my photos were captured using ProRaw with the exception of those where I wanted to utilize Apple’s long exposure functionality in the Photos application.
(Caught by Christopher Parsons) (Just Passing by Christopher Parsons)
Darkroom Settings
In excess of the default Noir filter, I also created a secondary filter in Darkroom that adjusted what came off the iPhone just a bit to establish tones that were to my liking. My intent was to make the Noir that much punchier, while also trying to reduce a bit of the sharpness/clarity that I associate with Apple’s smartphone cameras. This adjustment reflected, I think, that digital communications themselves are often blurrier or more confused than our face-to-face interactions. Even that which seems clear, when communicated over digital systems, often carries with it a misrepresentation of meaning or intent.
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