Categories
Photo Essay Photography

Snippets of Warsaw

Snippets reflect the transitory experiences we have when passing through scenes, places, and times with people that are fragmentary and atomistic pieces of a great whole.

Snippets of Warsaw was created over several days in July 2026, during a European heatwave. It was my first time vacationing alone in more than 20 years, and I was moving through a city whose language I could neither speak nor understand. That separation shaped how I photographed: I often held back, placing people within the streets, architecture, and light around them rather than pressing close.

My days became long, solitary walks through the city, with podcasts in my ears and sweat running down my back. When I was not making images, I read and wrote, giving me time simply to be with myself. I left Warsaw physically exhausted but photographically energized and confident in my ability to explore and photograph unfamiliar cities alone.

Vistula Bridge & Bulwar Bohdana Grzymały-Siedleckiego, Warsaw, 2026
Złota & Emilii Plater, Warsaw, 2026
Aleje Jerozolimskie & Nowy Świat, Warsaw, 2026
Maeszałkowska & Henryka Sienkiewicza, Warsaw, 2026
Świętokrzyska & Nowy Skiat, Warsaw, 2026
Szeroki Dunaj & Wąski Dunaj, Warsaw, 2026
Chmielna & Nowy Świat, Warsaw, 2026
Targowa & Aleja Solidarności, Warsaw, 2026
Świętojerska & Freta, Warsaw, 2026
Solec & Aleja 3. Maja, Warsaw, 2026
Leona Kruczkowskiego & Aleje Jerozolinskie, Warsaw, 2026

All images made using a Leica Q2 and lightly edited using Darkroom and/or Apple Photos. An extended version of this series was first published on Glass.


Christopher Parsons an amateur Toronto-based documentary and street photographer, and has been making images for over a decade. His monochromatic photographs focus on little moments that happen on the streets and which record the ebb and flow of urban life over the course of years and decades.

His work often tries to capture the urban landscape from unfamiliar perspectives and routinely focuses on attention to small and transient details of his environments. Rather than pursuing individuals on the streets he focuses on the backdrops of the urban environment and how subjects live their lives passing through them.

His work has been highlighted on Ted Forbes’ YouTube Channel, The Art of Photography, on the Photowalk Show podcast hosted by Neale James, Street Photography Magazine, as well by the Glass social media platform.

Outside of photography, Christopher has worked on high-profile national and international privacy, data security, and national security issues. He is currently employed at a government data privacy and transparency regulator.

Categories
Photo Essay Photography

Snippets of Paris (2025/2026)

Snippets reflect the transitory experiences we have when passing through scenes, places, and times with people that are fragmentary and atomistic pieces of a greater whole.

My Parisian snippets evoke elements of my own visual grammar, but if they represent anything, it is an attempt to recover from a form of self-alienation that developed over the latter part of 2025.

While a shared grammar connects these images, they resist coherence beyond the internal logic of that language. They do not advance a unified narrative or claim to describe Paris as such. The photographs were not made according to a plan or strategy, nor in service of a particular story.

Instead, each image emerged from extended photographic walkabouts, where movement itself was the method, and each step was taken in the hope of returning to myself. On returning from Paris, I could at least see myself again, even if I was still not yet fully walking in my own shoes.

Voie Georges Pompidou & Pont D’Arcole, Paris, 2025
Place du Carrousel, Paris, 2026
Place du Tertre & Rue du Calvaire, Paris, 2025
Pont Des Arts & Grande Rue 22 Sentier du Mont Saint-Michel, Paris, 2025
Rue du Colonel Driant & Rue Du Lovre, Paris, 2025
Rue Des Martyrs & Rue Lamartine, Paris, 2025
Passerelle Léopold-Sédar-Senghor & Port des Champs Elysées, Paris, 2025
Rue Faobourg Saint-Denis & Boulevard de Magenta, Paris, 2025
Rue Norvins & Rue Des Saules, Paris, 2025
Rue la Fayette & Rue de Dunkerque, Paris, 2025
Rue la Fayette & Rue Du Faubourg Poissonnière, Paris, 2025
Place du Tertre & Rue Du Mont-Cenis, Paris, 2025
Rue de Rivoli & Place du Carrousel, Paris, 2026
Quai Jacques Chirac & Avenue De Suffren, Paris, 2026
Rue Pierre de Nolhac & Rue Des Récollets (Palace of Versailles), Versailles, 2026
Rue du Douai & Rue Blanche, Paris, 2025
Rue Halévy & Rue Auber, Paris, 2026
Charles de Gaulle, Paris, 2026

All images made using a Leica Q2 or an iPhone 17 Pro, and lightly edited using Darkroom and/or Apple Photos. An extended version of this series was first published on Glass.

About Me

Christopher Parsons an amateur Toronto-based documentary and street photographer, and has been making images for over a decade. His monochromatic photographs focus on little moments that happen on the streets and which record the ebb and flow of urban life over the course of years and decades.

His work often tries to capture the urban landscape from unfamiliar perspectives and routinely focuses on attention to small and transient details of his environments. Rather than pursuing individuals on the streets he focuses on the backdrops of the urban environment and how subjects live their lives passing through them.

His work has been highlighted on Ted Forbes’ YouTube Channel, The Art of Photography, on the Photowalk Show podcast hosted by Neale James, as well by the Glass social media platform.

Outside of photography, Christopher has worked on high-profile national and international privacy, data security, and national security issues. He is currently employed at a government data privacy and transparency regulator.

Categories
Photo Essay Photography

Snippets of Montevideo (2025)

Snippets reflect the transitory experiences we have when passing through scenes, places, and times with people that are fragmentary and atomistic pieces of a great whole.

Snippets of Montevideo was made in November of 2025 while having just a few hours to make images and remember the light that was falling on the city and its people. The story it tells is merely that of light and people at a given time – a few hours that people were illuminated with the energy of the sun, radiating that light back onto the camera sensor that has frozen milliseconds of their life.

Montevideo, Uruguay, 2025
Soriano & Andes, Montevideo, 2025
Soriano & Julio Herrera Y Obes, Montevideo, 2025
Guarani & Washington, Montevideo, 2025
Montevideo, Uruguay, 2025
25 de Mayo & Zabala, Montevideo, 2025
Av 18 de Julio & Julio Herrera y Obes, Montevideo, 2025
Convencion & Avenida 18 de Julio, Montevideo, 2025
Rio Brance & Avindia 18 De Julio, Montevideo, 2025
Avenida Italia & Eduardo Victor Haedo, Montevideo, 2025

All images made using a Fuji x100F or an iPhone 17 Pro, and lightly edited using Darkroom and/or Apple Photos. This series was first published on Glass.

About Me

Christopher Parsons an amateur Toronto-based documentary and street photographer, and has been making images for over a decade. His monochromatic photographs focus on little moments that happen on the streets and which record the ebb and flow of urban life over the course of years and decades.

His work often tries to capture the urban landscape from unfamiliar perspectives and routinely focuses on attention to small and transient details of his environments. Rather than pursuing individuals on the streets he focuses on the backdrops of the urban environment and how subjects live their lives passing through them.

His work has been highlighted on Ted Forbes’ YouTube Channel, The Art of Photography, on the Photowalk Show podcast hosted by Neale James, as well by the Glass social media platform.

Outside of photography, Christopher has worked on high-profile national and international privacy, data security, and national security issues. He is currently employed at a government data privacy and transparency regulator.