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Sacrifice
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I’ve been thinking about how high technology is continuing to develop at a pace that outruns the least well off in our Western societies. I think that this was best crystallized in Amazon’s opening of its first Amazon Go store, which does away with cashiers and replaces them with cameras and sensors that automatically identify what you acquire for purchase and charge you as you leave the space. There are at least three (immediate) concerns that strike me with regard to these kinds of technologies:
Aren’t there solutions to the aforementioned problems? Of course there are. But any solutions will likely impose costs on those who are developing, advocating for, and using convenience technologies that detrimentally affect the least well off or privileged. Solutions might entail:
It’s pretty rare that major news reports about novel and emerging technologies are accompanied with real-work implications of the technologies, should they transform to infrastructure. It’s even rarer for minor news reports to consider the social, ethical, or political implications of new technologies. Instead, the focuses tend to be on whether a new user interface is ‘fun’ or ‘convenient enough’ or ‘fast enough’. Those are the concerns of the majority. We need to far more seriously consider how our developing technologies will affect those least well off, or else risk further stratifying social and economic divides and widening the rift between the most and least privileged members of society.
“We cannot retreat to the convenience of being overwhelmed.”
– Ruth Messinger
I really appreciated the humour in these urban camouflage shots!
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I really appreciated this short but poignant interview of Joel Meyerowitz. He has an interesting assessment of the difference between a SLR and rangefinder-style camera (one blinds you to half the world whereas the other lets you see the frame and what is around the frame) and how photography has the potential to transform the unrelated into the real, the imagined, or the potential.




Ming Thein:
We’ve touched on the cliches, we’ve touched on the physiology (much more detail in this and this article) but we haven’t touched on some things that generally make sense; I use the term ‘generally’ because as always there are exceptions dependent on the subject, scene and communicative intent of the photographer. Whilst for instance hard shadows usually make for interesting architectural images, they aren’t always so good for senior portraits or product photography. But this can be simplified into a logical statement like “shadows can assist with spatial orientation of a composition, and enhancing texture” – which I think is legitimate. But ultimately, the photographer has to decide if they actually want an obvious spatial orientation or not – they may not, for instance, if the intention is to make an extremely abstract composition. The example images given deliberately violate at least one, sometimes more, of the commonly bandied photographic rules – yet to my eyes at least, they still work.
I hadn’t really considered how the human body helps to dictate or guide the ‘rules’ of photography. While Ming Thein’s discussion is brief it’s perhaps useful for opening up new ways of thinking about the photos that we choose to take, and how deliberate shots vary from snapshots.

Have you been naughty? Nice? Santa knows because his minions have been … watching …
