Categories
Links Photography Roundup

The Roundup for July 16-22, 2018 Edition

Ocean Town by Christopher Parsons

When I first bought my Olympus EM-10ii I immediately purchased Panasonic’s 1.7 25mm lens. My rationale was flawed: I assumed that the kit zoom lens was garbage and that a cheap prime lens would get me photos that would be substantively better than anything that the kit lens provided.1 Even after I figured out that I could take shots I enjoyed with both zoom lenses and the prime I tended to stick with the primes on the basis that I kept reading about the importance of shooting with primes.

Fast forward a year, and I started using my zoom lenses a lot, especially when I was travelling somewhere that would include nature shots. It’s been pretty normal for me to have a long zoom lens combined with an iPhone 7 for wide angle and panoramic shots. And over the past few months that I’ve been shooting at home I’ve tended to pick up and use the kit lens that came with my camera: there’s no way that what I’m trying to do with my lenses are outside of scope of what that lens can do.

The result has been that I’ve been using zooms a lot over the past 6 or 7 months. To the point that I hadn’t picked up a prime lens for months.

Yesterday I decided to just head out and shoot with my trusty Panasonic 1.7 25mm. It was a surreal experience, largely because I’ve gotten so used to the qualities of my zoom lenses that I had to spent at least an hour just getting used to the 25mm’s characteristics. Specifically, getting used to the different coloration, the ability to play with wider apertures, and my need to fully zoom with my legs. In the coming days I’m hoping to post some of the photos from the walk as well as the importance and value that I took from just taking the walk.


Inspiring Quotation of the Week

When our intentions toward others are good, we find that any feelings of anxiety or insecurity we may have are greatly reduced. We experience a liberation from our habitual preoccupation with self and paradoxically, this gives rise to strong feelings of confidence.

  • Dalai Lama

Great Photography Shots

I’ve never actually looked at a series of black and white photographs of undersea life; Anuar Patjane Floriuk’s photos look like they emerge from some kind of a science fiction movie as opposed to the worlds under our seas and oceans.

Music I’m Digging

  • Huaschka – Abandoned City // I find that the album is very haunting, and is exciting to listen to when concentrating on it alone while also functioning as nice background music when I’m reading or writing.
  • Amy Shark – Love Monster // A very pop album. The song ‘Adore’ always bring a smile to my face.
  • Johann Johannsson – Orphee // I haven’t listened to Johannsson’s work previously and found the composition of the orchestras he performs with are both accessible (good for someone like me who likes classical music but hasn’t yet learned enough to know which specific compositions are responding to/playing with one another) and fun to listen to through the lens of the Greek tale of Orpheus.

Neat Podcast Episodes

Good Reads for the Week

Cool Things

  • An entomologist rates ant emojis // Some of these descriptions are terrific. As an example, the review of Mozilla’s emoji is “This is a termite, -10/10.”
  • Radkan Tower // 800 years ago, Iranian astronomer’s built an entire building that was able to identify the different seasons and account for when the solstice and equinox took place, as well as determine leap years and the start of Nowruz, the Iranian New Year. Amazing.
  1. I would note that I immediately took my camera and that prime lens to Cuba; I think that being forced into a single focal lens the whole time did result in me getting more shots that I would like. The constraints, themselves, were helpful when I was first learning the camera. ↩
Categories
Links Roundup

The Roundup for July 9-15, 2018 Edition

Eyes to the Home by Christopher Parsons

This has been a week where I’ve been trying to get used to living in a new location. So there’ve been trips to Ikea and other places to get the necessities needed for the new location, getting used to wandering a new building, and learning the new routes to walk to work. And it’s been a quiet time of reflection, thoughts, and considerations of the future, as well as the recent past. It’s been a very busy week and, as things step into a new tempo, I suspect things will feel less comfortable and those reflections properly take hold.


Inspiring Quotation of the Week

To be clear, privacy is no ‘contemporary’ hang-up. This is a diversionary argument floated frequently in the tech / security fields; that privacy concerns have somehow erupted in the past decade, simply on account of social media, smart phones or Edward Snowden. Not only is that premise self-serving if one works in the bureaucracy of intelligence, it’s also demonstrably false.

The Latin root of privacy is ‘privatum’, an enunciated principle of civil law as early as the Roman Republic under Cicero. Privacy was a constraint on government action inscribed into England’s Magna Carta of 1215. And, perhaps most famously, the individual’s right to privacy is there in the Fourth Amendment of the American Constitution.

Great Photography Shots

Brendan Siebel has a nice essay to accompany photographs taken by Eugène Atget, who took photos of Paris around the turn of the 20th century. Atget’s work documents the changes to the city and captures that nature of the city-that-was as it was forcibly transformed by city planner.



Music I’m Digging

  • Leonard Cohen – Popular Problems // I’m slowly going through Cohen’s corpus, and I’m definitely finding that I prefer his more gravelly and poetic work as opposed to that when he was younger and more melodic.

Neat Podcast Episodes

  • Planet Money – Peak Sand // This story about the nature of sand forensics, and how sand is being stolen to provide resort beaches with Instagram-perfect sand, was eye-opening and yet another indication of the issues with tourism.
  • The Daily – One Family’s Reunification Story // There is so much that is wrong in the United States of America right now, and this piece by the daily that recounts the reunification between a migrant family is heart wrenching.

Good Reads for the Week

  • How to Be Alone and Why // A nice meditation on the value of being alone and, also, why being alone is increasingly common given the rise of single-occupancy homes. We are moving to a society where are are separated from other persons more regularly than in the past, but must also recognize that to participate fully in society we must sometimes enjoy periods of solitude so-as-to learn how and why to engage with those around us in a meaningful manner.
  • Unidentified Plane-Bae Woman’s Statement Confirms the Worst // The problems largely associated with the spread of social media, and capability of other persons to deliberately intrude into one another’s personal lives, is a continuation of social problems that pre-date the digital era. However, whereas once gossip and innuendo would have been relatively restricted to a physical space it can now break free of geographical boundaries and, in the process, lead other persons to actively intrude upon persons’ private lives and engage in harassment and abuse. While such social problems cannot ever be truly ‘solved’ they can be ameliorated by teaching the right and wrong ways to behave online which will, fundamentally, explain the problems linked with historical social ills and how they can be aggravated by digital communications mediums.

Cool Things

  • I’m a huge fan of Yamazaki’s design language: simple, clean, and minimalist. I recently picked up their Tower Laundry Basket and love how it just quietly sits in my bed room without drawing any attention to itself.
  • I love these ‘monumental nobodies’ pieces by Mathew Quick.
Categories
Photo Essay Photography

A Quiet Sunday Walk

A friend of mine and I travelled into Toronto’s Canary district over the weekend to make some photos. Normally I take photos on solo walks, and it was a nice experience to be in the presence of someone else who was also focused on making images. Some of my highlights are below.

All images were shot using an Olympus E-M10ii and and Olympus M.Zuiko ED 40-150mm f4.0-5.6 R and Olympus M.Zuiko Digital 14-42mm f/3.5-5.6 II R Lens. They were edited using a combination of Apple Photos and Polar.

Namaste by Christopher Parsons
Primary Stairs by Christopher Parsons
Scrambled by Christopher Parsons
Memory by Christopher Parsons
Overheads by Christopher Parsons
Sands by Christopher Parsons
Melancholy by Christopher Parsons
Land by Christopher Parsons

And one shot from the walk home!

Flee by Christopher Parsons
Categories
Photography

Momma

Photo made with Olympus EM10ii and 14-42mm F3.5-5.6 E at the Financial District May 27, 2018 in Toronto. Edited in Apple Photos and Polar.
Categories
Photography

The State of Instagram

(Rise Up! by Christopher Parsons)

I owe a lot to Instagram. Starting in January 1, 2017 until October 2017 I began a project of uploading a photo a day (or thereabouts) and, in the process, I learned an awful lot about how to use my cameras, shots that I tend to prefer taking, and the cool stuff you could do by looking at other photographers’ shots.

It was pretty great.

But for reasons I’ve previously written about I’ve drifted away from regular postings to Instagram or even taking photographs with the regularity of the last year. Specifically, I wrote:

… something is changing in how I approach photography itself, at least right now: I don’t want as many amber memories, and instead want to enjoy the development and unfolding of certain memories, and feel more comfortable in the knowledge that the ‘final’ memories I’ll have will be even more subjective than those associated with photographs. Some will even vanish in their entirety.

In fact, from November 2017 – April 2018 I didn’t post a single photo to Instagram and only logged in once or twice.1 But my not uploading photos has been nagging me because I know that part of why I was taking shots — and getting good ones! — was because I had been actively trying to upload stuff on a regular basis. Instagram was a method for pushing me to practice my own skills and, occasionally, receiving feedback on the shots I was getting.

So I dipped my toe back in, with a fresh upload, and then started to browse my feed. As usual, there were great photographs from the photographers that I follow.2 But there were also a lot of ads. I mean, every 5-7 images was another ad. That really, really, really sucked because it made the platform a lot less enjoyable to browse and look at; it was less a network of people, and more an ad network that was interspersed with real people’s photographs.

So what I’m going to do is upload a photo a week, or so, to Instagram because I’d like to keep my profile alive. But I’m not going to invest the time in the platform that I did in the past. And, instead, I’m going to reflect on where I want to put my content, why I want it there, and with what regularity I want to upload photos to the public Internet. That’s part of an activity I’ve been undertaking over the past year but I’d honestly thought that Instagram might remain a fun place to interact with people. Sadly, it looks like that might not be the case after all.

  1. I was, however, taking photos during that period though not with daily-regularity. ↩
  2. I don’t tend to follow people, including friends and family, unless they take shots I find aesthetically pleasing. So there aren’t a lot of family photos, breakfast shots, or other site such material that make their way onto my feed very often. ↩
Categories
Links Photography Roundup Writing

The Roundup for March 31-April 6, 2018 Edition

Crossed by Christopher Parsons

Photographing something that captures the situation you’re in emotionally and in life, while reflecting something about wherever you are in space, can be a deeply revelatory experience. When I try to take such shots I’m often alone with just some music or podcast and a camera, and exploring areas that are sometimes brand new and other times are well tread shooting grounds. Sometimes I want to get a particular ‘feeling’ — one that, only afterwards, I tend to realize reflects where I was emotionally at the time — and other times I want to deliberately try to shoot for a certain kind of colour, shadow, or pattern. Quite often, it’s only after looking at photos taken during the session that I realize that a certain kind of emotion was really behind my shooting choices.

If I’m being honest, the experiential nature of photography really only hits me as I look through my photos, after taking them, after processing them, and after I set them to display through my TV (my ‘best of’ photos are my Apple TV’s screensaver). I need to see them, repeatedly, in order to appreciate what is in them. Sometimes it’s months before I really realize what was really going on in a given photo. Sometimes, even years later, I may know that particular shots are important to how I was at the time but still can’t quite describe why I know this to be the case. I can (at least somewhat) deconstruct the technical elements of the photos but can’t necessarily also identify the meaning of the photo I took.

At the same time, there are times when society asserts that I “should” want to hunt for photos, but I’m disinterested in doing so because I don’t want to try and capture the emotional or physical space I’m in, in the amber that is a photograph. Sometimes I want to ride out experiences; rather than hold onto them in perfect perpetuity, I want to leave them in the malleable space of human memory with the knowledge that how I remember the past will inevitably change over time as the temporal distance between my current existence and that memory grows and extends. Sometimes I want to experience to grow and contract, through and with me, instead of act as a defined anchor to a given time or place.

It’s that difference — between choosing to hold times in the amber of a photo versus storing it purely in the mind — that I’ve been mulling in my mind for the past little while. Some of the photos I have manage to capture times that are joyous, others melancholy, others full of light and joy, and yet others alienation and loneliness. And I tend to tightly hold onto the meaning of the photographs I’ve taken: I don’t go out of my way to explain my photography to anyone else, nor do I think it’s something that I need to do. Shutter therapy is just that: a kind of physical and intellectual therapy. But there are specific moments that I deliberately keep separate from my camera, and they’re often times wherein people are most likely to entrap time in amber, such as vacation or celebration. But I’ve found myself less and less excited to engage in such photography over the past several months.

I’m not entirely certain why: perhaps the weather has just been so miserable that it’s had an impact on my motivations to shoot. But equally possible it’s because something is changing in how I approach photography itself, at least right now: I don’t want as many amber memories, and instead want to enjoy the development and unfolding of certain memories, and feel more comfortable in the knowledge that the ‘final’ memories I’ll have will be even more subjective than those associated with photographs. Some will even vanish in their entirety. I don’t know why this is my current state of mind but, regardless, it’s an interesting intellectual moment that is prompting reflection on my photography, what drives it, and the relationship between amber memory and living memory.


Notable Quotation

“If you can change one thing about yourself then please be kinder and change how you end things because it matters way more than how you begin them.”

– Sartaj Anand

New Apps and Great App Updates from this Week

  • iOS 11.3 dropped last week and for the entire time I’ve been testing the Notes application pretty regularly to see if it’s stopped freezing, crashing, and otherwise not working properly. It seems to be working once more, which is a huge relief as huge portions of my life are locked up in the application. Not sure what was broken, or how it got fixed, but I’m pretty happy to discover that things are working once more!

Great Photography Shots

Many of the winning shots for the Smithsonian’s 15th Annual photo contest are just spectacular.

Making Incense
© Tran Tuan Viet. All rights reserved
Stairs
© Adam Żądło. All rights reserved.
Pinnacle of Existence
© Oreon Strusinski. All rights reserved.

Music I’m Digging

Neat Podcast Episodes

Good Reads for the Week

Cool Things

Categories
Links Photography Roundup Writing

The Roundup for February 24-March 2, 2018 Edition

Evening Dream
Evening Dream by Christopher Parsons

For the past few weeks I’ve been deliberately constraining my photography by shooting exclusively by a 35mm equivalent lens. This was the focal length that really convinced me that I enjoyed photography as a way of seeing and experiencing the world. I’m a big fan of zoom lenses, and keep eyeing the Olympus 12-40mm 2.8 Pro lens, but I find that I learn the most about a scene by having to walk around it with a bright prime lens.

Alien Reach
Alien Reach by Christopher Parsons

When I travelled to Cuba, having to march around with a 50mm equivalent lens meant I went into entirely new places and angles that I wouldn’t have if I’d had a zoom lens to otherwise get a shot. And while I’ve previously used my 35mm equivalent, I have to admit that I’ve been far more reliant on some of my zooms and the 50mm; I just haven’t focused on learning to use the 35mm lens because there is so much more walking-by-zooming that I have to do with it compared to even my other prime lenses.

Sound Off!
Sound Off! by Christopher Parsons

But that’s silly: I enjoy the focal length, I just have to work a lot more to get things out of the camera. So I’ve been using it at night, during the day, and exclusively attached it to my camera body for the past month and intend to bring it (along with an 80-300mm equivalent lens) when I travel to South America in a week and change. I like the idea of an unobtrusive lens as my walkabout, and then the zoom for when I’ve trekking through nature. And, perhaps most importantly, I really like the idea of forcing myself to get a lot more comfortable with my current gear as a way to inhibit my desire to buy more gear: I have functionally underused equipment, and I should be playing with it, first and foremost, before even considering the purchase of new kit.


Inspiring Quotation

“We start on the path to genuine adulthood when we stop insisting on our emotional competence and acknowledge the extent to which we are – in many areas of our psyche – likely to be sharply trailing our biological age. Realising we aren’t – as yet, in subtle ways – quite adults may be the start of true maturity.”

Great Photography Shots

Mobiography’s landscape photography shots are really, really amazing and showcase just how much you can do with a contemporary smartphone and good lighting conditions.

Jagged horizon, Monument Valley…
Jagged horizon, Monument Valley… by Joseph Cyr
It’s been a good day… full of weather again..
It’s been a good day… full of weather again.. by Fi Austin
Snow & Fishing Cottages
Snow & Fishing Cottages by Jen Pollack Bianco
Windswept
Windswept by lkbside

Music I’m Digging

Neat Podcast Episodes

Good Reads for the Week

Cool Things

Categories
Links Photography Roundup Writing

The Roundup for February 17-23, 2018 Edition

Midnight sunrise by Christopher Parsons

I find it really hard to identify the stories in my photographs, prior to actually pushing the shutter button. When I look through, say, my best photos of 2017 I can see which ones have stories embedded within them but it’s a pretty rare thing that I saw, and decided upon, the story before taking the shot. In part, I think that my challenges are linked to only taking my photography more seriously for a relatively short period of time.

But some of the difficulties I’m encountering are also linked with my still learning to take ‘technically’ good photos, after which I think I’ll be more comfortable with more ‘narrative’ style shots. And I want to get better at the latter because I take Martino Pietropoli‘s statement pretty seriously: “Good photos tell stories. Average photos are just beautiful.”

Pietropoli’s article is excellent, insofar as he spends the time to walk through not just the importance of building a story into a photograph but because he also shows examples. In choosing examples he doesn’t merely say ‘here are narrative photos’ but, instead, he spends the time to spell out some of the narratives which might be bundled up in the shots in question. For me, his article was a particularly clear and poignant way of thinking through what stories might be in any given shot, and also as a way to differentiate between what he identifies as narrative versus ‘merely’ beautiful shots.

If I have one critique of the article — and I think it’s pretty minor — it’s that there’s an assumption that someone understands how to take photographs competently, and using this basic competence they can take shots with story. Put another way: I think that a lot of the efforts to create popular stylistic shots are very helpful in teaching people how to use their cameras and lenses, and to think through the importance of framing. Does that mean the people may end up with a series of ‘generic’ skills that many other photographers can roughly approximate or precisely imitate? Absolutely. But just as it’s important to learn how to write the five paragraph essay before breaking into longer-form writing that breaks all the rules of that high school essay format, learning the high-school format in the first place is an important skill that leads to more advanced writing.

I think that spending time looking at Instagram or Flickr or other places which hold ‘beautiful’ images is entirely appropriate for those who are learning to take photographs, and take them seriously. But I also tend to agree with Pietropoli that a photographer must eventually come to a decision: will their photographic style focus principally on technically beautiful shots or, instead, try to engage with the world by evoking emotions and reactions linked to the stories contained in their photos.


New Apps and Great App Updates from this Week

  • Cypher – a puzzle game about the history of cryptography

Great Photography Shots

I was really impressed with a range of the shots which won in the 2017 International Photographer of the Year contest.

Wave Crashers’ by Emily Kaszton. First Place, Nature: Aerial (Professional).
‘Neon Desert’ by Stefano Gardel. International Fine Art Photographer of the Year
‘Battersea’ by Giulio Zanni. Second place, Open Category: Long Exposure (Amateur)
‘Untitled’ by Pedro Diaz Molins. Second place, Fine Art: Photomanipulation (Amateur)
‘Lighting Clothes’ by Ramon Vaquero. Third place, People:Fashion/Beauty (Professional)
‘Desert Essential’ by Giovanni Canclini. First place, Open Category: Open Theme (Amateur)

Music I’m Digging

Neat Podcast Episodes

Good Reads for the Week

Categories
Aside Photography

2018.2.20

It’s unseasonably warm out at the moment, which is causing an amazing amount of mist to form as snow and ice melt off. So rather than go home and have a meal — and I was starving! — I decided to haul my butt down to a series of light sculptures that have been installed by the waterfront. I had the place practically all to myself and after a few hours, and one dead battery, I’m finally on my way home. And I’m super jazzed that I took the time working my camera instead of eating and lounging around the house!

Categories
Quotations

Seeing

It’s not what you look at that matters, it’s what you see.

David Thoreau