Categories
Links Photography

Best Photography-Related Stuff of 2024

It’s the time of year for people’s best-of roundups. Like last year I wanted to recognize stuff that meant a lot to my photography through 2024. And, this year, I’ve also added a short list of hopes for stuff in 2025!


Photography Stuff I Used

Yonge & Dundas, Toronto, 2024

Best Technology of 2024

The big change this year? I pretty well completely pivoted to my Leica Q2 and with only rare exceptions did I use the Ricoh GR IIIx or my iPhone 14 Pro. When I bought the Q2 it was, in part, to be able to capture images at night where there was little light. I’ve made images under these conditions that I’m happy with and I’ve come to learn how to better use the 28mm focal range. At this point I’ve created well over ten thousand frames over the year.1

I upgraded to the 11” iPad Pro (2024) and definitely appreciate how light the device is, and how vibrant the screen is. I continue to use an iPad Mini for most of my actual reading but write a lot of blog posts on the iPad Pro and do all my photo editing on it.

When I take my photowalks I’m always listening to a podcast or music on my AirPod Pros. However I’ve long had an issue with finding tips that best fit my ears; the ones in the box always slip out. I recently learned about, and bought, the SpinFit CP1025 (S/SS) and they’ve been game changing. I get a perfect fit and the AirPods stay in my ears. Highly recommend them!

Best Services I Paid For

I continue to post images to Glass each day. I’m still disappointed with their AI search, and especially disappointed that landscape viewing on the iPad has now been broken for about a year.2 Still, it’s a terrific community and a good place to post images regularly.

Apple One is key to my data management strategy. I’m still under the 2TB that is provided as part of the subscription though, with my current data use, I suspect that in 3-5 years I’ll need to expand that 2TB storage limit.

Lastly, while I’ve watched less photography YouTube I continue to appreciate YouTube Premium. It’s still about the most regularly used subscription service that I use on a regular basis.

Best Apps

Have I changed the apps that I rely on regularly since 2023?

Nope.

And so my best apps of 2024 include:

  • Glass: I use to share my images on a daily basis.
  • Geotags Photos Pro and Geotags Photo Tagger: I use to add geotags to my images.
  • Reeder Classic: To follow various photography blogs.
  • Apple Podcasts app: I use this to listen to photography podcasts while on my weekly photowalks.
  • Apple News: To read photography magazines and websites that otherwise would be paywalled.
  • Apple Photos: Used to edit and store all my images. I don’t love the iOS version of the application but it is what it is.

Stuff I Made

College & Clinton, Toronto, 2024

Writing

  • Sharing Photographs, and Photography, with Others and Growing as a Photographer: Despite being pretty used to being in the public eye as a result of my day job it’s different to expose myself when sharing the images that I make. Those images, if read carefully, reveal some elements of myself that I showcase less often, and this is made even revelatory when producing and sharing physical items to people I respect or submitting digital images to competitions. Just talking about that experience was liberating and reaffirmed that I am, slowly, growing as a photographer.
  • Accidentally Discovered Street Photos: Imagine my surprise when, after opening my used copy of Conversations: With Contemporary Photographers a strip of exposed Kodak 100TX film fell out! I used a free app to enlarge some of the images and while my efforts weren’t spectacular it did result in seeing — and sharing — some images from an earlier time.
  • 10 Tips for Starting to Photograph on the Street: I regularly read and view content that is meant to help new photographers get comfortable on the streets. Much of that content is good but is directed towards a certain kind of concern, and way of behaving, on the streets (e.g., Zone focus! Shoot from the hip! Be invisible!). I think that my 10 tips are for people like me who are interested in making street photos but are shy about even being seeing with a camera. Really, this is a blog written for myself which, if I’d read it 10 years ago, would have given me a clearer sense of what I could do to develop my confidence and skills.
  • Nuit Blanche, 2024: I’ve been attending Nuit Blanche in Toronto, an annual art festival that runs for a single day from sundown to sunup, for many years. I always make photographs during it but, at the same time, have been challenged by using a smaller APS-C sensor camera. I was both pleased in the art that I experienced this year as well as the ability of the Leica Q2 to capture images more like how I wanted them due to its lens and sensor size.

Stuff I Read

Oxford & Augusta, Toronto, 2024

Best Photography Books and Magazines

  • Metropolis: I’ve followed Alan’s work for years and appreciate how stark his imagery is and his absolute attention to form. His images carefully consider what is absolutely needed to communicate his vision and no more.
  • Conversations: With Contemporary Photographers: This was probably the most important book about photography that I read this year. I’m, personally, interested in thinking more deeply about the ontology of photography and what it is and is not. The photographers interviewed in the book provided a range of interpretations of what photography is, and means, for each of them, and I benefitted tremendously from their thoughts on the medium as one which controls time and, also, the role of time in their own creative activities.
  • Framelines: The team behind Framelines improve the magazine with every issue. From enhancements to the printing, imagery, interviews and just shipping, this is an instant purchase each time they come out with new issues. I particularly appreciate how they celebrate new and emerging photographers from around the world and platform those who, otherwise, I’d be entirely unaware of.
  • André Kertész: Sixty Years of Photography: This book is a gift to photographers and the image-viewing public more broadly. Published back in 1978 it catalogues Kertéz’s photographic history. It is when we look at images like this that it is apparent how much you can do with black and white images that are focused on the forms across a frame, and also how having decades of images enable a playfulness between pages so that works from different decades can speak to one another and create a perception of continuity across time and space. If you are committed to street images, black and white images, or just seeing how history unfolded over sixty years, then this book is a must see.
  • The Pleasure of Seeing: Conversations with Joel Meyerowitz on sixty years in the life of photography: Joel is, of course, a (still living) legend and has a number of different monographs under his name. This book is a little different because it explores his thought process across the different phases or eras of his photography. Now, if you’ve actively listened to his talks, interviews, podcasts, and so forth over the past decades many of the messages he communicates will be familiar. But to have them all in one place, along with his images that underscore his creative vision, is a real gift to photographers.

Stuff I Watched

Great Lakes Waterfront Trail, Toronto, 2024

Best Movies

  • Lee: This was an engrossing and highly cinematic movie. I liked how it conveyed the experiences that female photographers and journalists experienced during the time period and, also, communicated the toughness of Lee Miller and the harmful effects of being a war photographer more generally.
  • Harry Benson: Shoot First: I thought this was a terrific documentary of Benson who has made a living capturing images of celebrities. The images are profound but, also, you walk away with a sense that he lacks much empathy for his subjects. The inclusion of those who love his work, and those who hate it, helps to communicate what a controversial figure Benson has been throughout his life and career.

Best YouTube Channels

  • Paulie B: Almost certainly one of the most important American street photography channels, Paulie B has done a masterful job interviewing a range of photographers across the United States to understand what drives and inspires them. His episodes showcase photographers who may not be widely known, unpacks the creative processes of those he interviews, and also lets other street photographers really see how others work the streets. We’ve all heard about how the greats of the 1960s and 1970s worked; Paulie B is showing us how our American contemporaries move, think, and behave.
  • James Popsys: James is a quiet and almost introspective photographer, which are not necessarily the traits that lend themselves well to YouTube. However, his thoughtful meditations on how and why he makes images, combined with the sheer beauty of his work, results in each video containing a gem that is worth treasuring.
  • Photographic Eye: Some channels on YouTube focus on gear or technical methods of getting certain kinds of images. The Photographic Eye is not that. Instead, Alex Kilbee explains the intellectual processes of photography and speaks as a kind mentor or peer who is, also, working through his photography. I particularly like how he shares some of his own images so that viewers can appreciate the variety and intentionality behind image making.
  • The Art of Photography: Ted Forbes has been running his channel for over sixteen years at this point and made videos on just about everything that you’d ever want to know about. I find his historical episodes that break down, and showcase, the great photographers as essential to my own photographic education. And his episodes that showcase viewers’ own projects have led me to finding a range of photographers and purchasing work from them.3

Stuff I Subscribed To

Richmond & Spadina, Toronto, 2024

Best Podcasts

  • The Photowalk: I’ve been a supporter of the Photowalk for several years and it’s a regular joy and pleasure to hear Neale and his guests talk about the broader experiences of making images. The discussions rarely touch on gear and, instead, are centred around the ‘why’ of image making. Whenever I’m out on a weekly photo walk, I’m listening to Neale and recommend that you do the same.
  • Frames Photography Podcast: Frames features photographers from across the different photographic genres. Many of the discussions are insightful for understanding what is behind different photographers’ creative processes, what motivates their projects, and how they work to express themselves to the broader world.
  • Street Photography Magazine: Featuring street photographers from around the world, this podcast exposes how and why different people got into the genre, what they aim to present through their work, and the rationales underlying how they make their images. Many of the photographers who are interviewed talk about their recent, or ongoing, projects which serves to underscore the different ways in which projects are conceptualized and brought into the world.
  • The Candid Frame: Conversations on Photography: Operating since 2006, The Candid Frame features photographers from all walks of life discussing the how and why of their image making. This is particularly useful, for me, in learning about photographers working in genres entirely different from street photography and learning how their thought processes can apply to my own photographic life.
  • Street Life Podcast: This is one of the most recent additions to my list of podcasts and I’ve been enjoying every episode this year. It typically features photographers working in and around Australia and, aside from Houman Katoozi, I’m largely unfamiliar with folks working on that continent. The podcast often has a sense of friends talking amongst themselves about street photography and you’re just overhearing them as they joke with one another, talk about the Australian street photography community, and the challenges they’re facing in their own photographic activities.

Best Blogs/RSS Feeds

  • GR Official: As an owner of a few Ricoh GRs I’m always curious about how others handle and experience the camera. This blog features a range of authors, with a diversity of photographic backgrounds and personal experiences, which means that each blog is a bit of a surprise: is this going to be a more reflective piece, a showcase of just a few images, thoughts on a piece of equipment, or…?
  • Little Big Traveling Camera: I am always envious of how focused this photoblog is, how thoughtful the author is, and how well put together the images are. LBTC is, to my eye, the definition of what an excellent personal photoblog can be.
  • Mobiography: I don’t take a large number of mobile phone photographs but I appreciate learning how such images can be made. If nothing else, it showcases just how can be done with phones of today (as well as those of a decade or more ago) in the hands of competent photographers.
  • The Phoblographer: A regular publication that both showcases contemporary work while also engaging in some opinion and discussion about trends or issues in the photographic world.
  • Ming Thein: I owe a lot of what I (think I) understand about photography to Ming’s blog. He shuttered it several years ago but has kept it alive / in archival mode. I hope that it never goes away given how helpful and insightful his writing is for new and more experienced photographers alike.
  • Skinny Latte’s Creative Brain: I loved the photoessays that were published that exhibited gorgeous photography along with explanations and narratives to surround the images themselves. Sadly the photoblog has been left behind but the images and stories remain worth revisiting periodically.

Hopes for the future

Front & Bay, Toronto, 2024
  • Apple Photos: I just want it to reach parity with its Mac counterpart. We know that Apple has purchased Pixelmator and I’m hopeful that some of that DNA makes its way over to Photos.
  • iPhone Camera app: I’ll be honest, the new iPhones’ ability to better control and develop custom JPG settings along with the adoption of JPG XL are very exciting and make me look forward to whenever I upgrade from my iPhone 14 Pro. However, I really wish that Apple would bring additional exposure metering to the iPhone and, in particular, highlight metering for my black and white images. While there are ways to get around this on the iPhone it’d be nice if it was something they could do by default.
  • WordPress: I’ve been using WordPress for over 18 years at this point and it just seems to get more and more bloated. There are basic things that just don’t seem to be well developed, such as media management or the presentation of images, while a huge amount of effort has been put into turning WordPress into an enterprise CMS. I get that the company’s business is derived from its enterprise work but it’d be nice if basic features were also included in the priority product lists.
  • Leica Q2 Thumb Grip: In a late end-of-year purchase, I’ve ordered the ‘official’ Q2 thumb grip to further improve on the ergonomics of the Q2. Here’s hoping that I end up happy with it!

  1. Though, admittedly, I’ve kept far fewer after doing my regular culling. ↩︎
  2. Yes, I’ve contacted support. No, I never heard anything back. ↩︎
  3. In the interests of disclosure I was featured in one of the mailbag episodes for my Postcards project. ↩︎
Categories
Aside

2024.5.23

About a year or so ago I switched the theme on this blog. It was the first time I was really diving into a more visual front end, with featured images creating a neat visual aesthetic for each post. ​

It was cool but just didn’t align with how I make material for the web. I’ve been blogging since the late 90s and am very much an elder millennial, and still like some of those older 1 blog styles. So I’ve reverted back to a much more typical blog format that still displays photos acceptably.2

It’s just slightly above a lateral move, but does include some things that I like:

  • Anyone who accesses the website from the web will see full posts
  • A decent search option is at the top of the website
  • It’s hopefully more apparent how multi-level menus ‘work’

I’ve also gone through and cleaned up my tags once more. I did this about a year ago but another pass should make things more consistent. Really, the key value is in recommending related posts over anything else.


  1. Some could say classic or ‘retro aesthetics ↩︎
  2. And the current theme displays captions correctly….why is this such an issue for WordPress themes!?’ ↩︎
Categories
Solved

Solved: Changed Name Server and Apple Custom Email Domain Stopped Working

Photo by Miguel u00c1. Padriu00f1u00e1n on Pexels.com

I recently moved a self-hosted WordPress website from a shared hosting environment to WordPress.com. The migration was smooth: I had to export the XML for the self-hosted WordPress installation and import it to the WordPress.com CMS, and then fix a few images. The website is functioning well and the transition was smooth.

However, shortly after doing so I started having issues with receiving emails at my custom email which was set up with Apple’s iCloud Custom Email Domain. Not good!

The Problem

I changed the name servers with the domain registrar (e.g., Bluehost or Dreamhost) so that my custom domain (e.g., example.com) would point to the WordPress.com infrastructure. However, in doing so my custom email (user@example.com) that was using Apple’s iCloud Custom Email Domain stopped sending or receiving email.

This problem was surfaced because email could not be sent/received and, also, I could not verify its domain in Apple’s “Custom Email Domain”. Specifically, iCloud presented the dialogue message “Verifying your domain. This usually takes a few minutes but could take up to 24 hours. You’ll be able to continue when verification is complete.” The “Reverify” button, below the dialogue, was greyed out.

Background

When you have registered the domain with a registrar other than WordPress (e.g., Bluehost, Dreamhost, etc) and then host a website with WordPress.com you will have to update the name servers the domain uses. So, you will need to log into your registrar and point the name servers at the registrar to NS1.Wordpress.com, NS2.Wordpress.com, and NS3.Wordpress.com. In doing so, all the custom DNS information you have provided to your registrar, and which has been used to direct email to a third-party email provider such as Apple and iCloud, will cease to work.

The Solution

When transitioning to using WordPress’ nameservers you will need to re-enter custom domain information in WordPress’ domain management tabs. Specifically, you will need to add the relevant CNAME, TXT, and A records.1 This will entail the following:

  1. Log into your WordPress.com website, and navigate to: Upgrades >> Domains
  2. Select the domain for which you want to modify the DNS information
  3. Select “DNS Records” >> Manage
  4. Select “Add Record” (Upper right hand corner)
  5. Enter the information which is provided to you by your email provider

Apple iCloud Custom Domain and WordPress.com

When setting up your custom domain with Apple you will be provided with a set of TXT, MX, and CNAME records to add. Apple also provides the requisite field information in a help document.

While most of these records are self evident, when adding the DKIM (CNAME record-type) record in WordPress.com, the Host listed on Apple’s website is entered in the “Name” field on WordPress’ “Add a Record” page. The “Value” of the DKIM on Apple’s website is entered as the “value” on WordPress’ site.

TypeNameValue
CNAMEsig1._domainkeysig1.dkim.example.com.at.icloudmailadmin.com
Visualization of Adding iCloud CNAME Record for WordPress.com


Note: Apple will generate a new TXT record to verify you control the domain after pointing the name servers to WordPress.com. This record will look something like “apple-domain=[random set of upper/lower case letters and numbers]”. You cannot use the “apple-domain=“ field that was used in setting up your custom email information with your original registrar’s DNS records. You must use the new “apple-domain=“ field information when updating your WordPress.com DNS records.

Once you’ve made the needed changes with WordPress.com, and re-verified your domain with Apple’s iCloud Custom Domains, your email should continue working.

In the Future

It would be great if WordPress actively and clearly communicated to users who are pointing their name servers to WordPress.com that there is a need to immediately also update and add email-related DNS records. I appreciate that not all customers may require this information, but proactively and forcefully sharing this information would ensure that their customers are not trying to fix broken email while simultaneously struggling to identify what problem actuallyy needs to be resolved.


  1. WordPress does have a support page to help users solve this. ↩︎
Categories
Links Writing

WordPress Supply Chain Attacks

Per Wordfence there are four reasons for supply-chain (i.e. plugin-based) attacks on WordPress installations:

The first reason is simply scale. According to w3techs, WordPress powers 29.2% of all websites – a massive user base to go after. In addition, at the time of this writing there were 53,566 plugins available for download in the official WordPress.org plugin repository. That is a lot to work with on both fronts.

Secondly, the WordPress.org plugin directory is an open, community-driven resource. According to the plugin guidelines page, “It is the sole responsibility of plugin developers to ensure all files within their plugins comply with the guidelines.” This means that while there is a small team tasked with managing the plugin repository and another small team focused on security, ultimately users rely on plugin developers to keep them safe.

Thirdly, most WordPress sites are managed pretty casually. Making a change to a website at a larger company might include code review, testing and a formal change control process. But that’s probably not happening consistently, if at all, on most smaller websites. In addition, many site owners don’t monitor their WordPress sites closely, which means malware can often remain in place for many months without being discovered.

Lastly, the WordPress plugin repository has a huge number of abandoned plugins. When we looked back in May, almost half of the available plugins hadn’t been updated in over two years. This represents a great opportunity for ne’er do wells looking to con unsuspecting plugin authors into selling something they created years ago and have moved on from.

The aforementioned points outline why acquiring and infecting WordPress plugins is a reasonable way of penetrating WordPress installs. However, I think that Wordfence is missing the most important reason that such attacks succeed: few actual users of WordPress are technically component to monitor what, exactly, their plugins are doing. Nor are the shared hosting services particularly good at identifying and alerting technically-illiterate users that their sites are compromised and what the site owners need to do to remediate the intrusion.

Trying to get individual users to more carefully monitor how their plugins work is a fool’s errand. What’s needed is for hosts to provide a community service and actively not just identify hijacked plugins (and sites) but, also, provide meaningful remediation processes. User education and alerts aren’t enough (or even moderately sufficient): companies must guide site owners through the process of cleaning their sites. Otherwise malware campaigns aimed at WordPress will persist and grow over time.

Categories
Writing

So Now I’m Here

For the past decade and a half I’ve been publishing on a variety of platforms. Livejournal. Tumblr (a bunch of different times). A long lasting WordPress instantiation (and a few that weren’t so long lasting), plus some offline places where I reflect on more personal things and some online places that died relatively fast or of ignominious ends (remember Posterous?).1

The Experience of Online Publishing

Each of the online platforms I’ve previously used have seen me experiment with different aspects of self-publishing. From spreading my content all over the Internet I’ve learned about a few things about what matters to me:

  1. Publishing platforms need to emphasize the importance of user interfaces and user experiences.
  2. Platforms need to appreciate that if they aren’t seen trustworthy then fewer people will publish using them.
  3. In some cases, companies that are offering online platforms need to help users make at least some tweaks to the publishing environment so that they can personalize the space to their content.
  4. Publishing platforms need to consider how to help users develop and foster a positive community that is inviting to new users and readers.

I’ve ultimately grown disenchanted with each of the major and minor writing platforms I’ve used over the years for one reason or another:

  • Livejournal (that social network of yore) was a product of its time in every sense. The user interface was crude, if serviceable. The community finding aspects were pretty decent for its time. But innovation slowed and being sold to a Russian company raised pretty serous questions about censorship arose. (I went from Livejournal to WordPress, where a lot of my content has lived ever since.)
  • Tumblr remains, at least as I’ve experienced it, a burning garbage fire of user interface issues. I’ve gone back several times over the past six or seven years and it never seems to have really improved from its basic state. The sale to Yahoo! – a company that can’t secure itself from toddlers, it seems – makes that a space less than inviting to add content to: will it be there tomorrow? And if so, who will be in charge of losing users’ logins, passwords, security questions, and content next?
  • While I use WordPress on a regular basis, and one installation has held my professional work for a decade, I don’t want yet another platform I have to secure from third-parties. The functionality is great but maintenance is something I want to do less of, not more.

But, if I’m being entirely honest, only part of the problem of finding outlets for my creative instincts has to do with the different platforms. A bigger problem is directly tied to me.

Professional Appropriation of Creativity

My professional job involves a lot of writing. The majority of the writing that I’ve done for ‘myself’ over the past decade has generally linked my public and professional personas. To my chagrin, most of the public places I’ve written have ultimately been appropriated by, and arguably undermined by, that public-professional persona.2

The result is that I really haven’t had (or maintained) a good place to place my creative outputs that extend beyond my professional work. Things that are about different pieces of technology I’m using and why, what I think about different photos that I’ve taken over the years, or comments on politics, reflections on poignant books or articles I’ve come across, as well as other things that catch my fancy. Sure there are microblogging sites but I want something more substantive and meaty and long-lasting than 140 characters.

If I thought I could write more personal, non-professional, pieces on the website that bears my own name I probably would. But that doesn’t feel like a real option for me: doing so would overlap my professional and personal lives more than I’m comfortable with, while also running the risk of weakening the professional ‘value’ I’ve build up in that long-lasting website.

So, Now I’m Here.

Medium has terrific typography and the people who routinely write here that I follow tend to be doing interesting and involving work. The topics are diverse. The publishing process seems pretty solid and made with the user in mind. And I already know a lot of people who are writing here, which definitely helps to make this a more inviting writing space.

So while my professional work is going to remain stovepiped in my long lasting WordPress blog, I think I’m going to see what it’s like to use Medium as a place for my own work. Things that are less serious. Things that just don’t really belong in my other writing environments. Things that are personal but not so personal that they have to be kept from public eye entirely.

NOTE: This was initially published on Medium in early 2017.


  1. 1 I’m excluding the other ‘microblogging’ sites that we all use, like Twitter, Facebook, or Instagram. ↩︎
  2. 2 To say that I’ve had bad work-life balance in the past is an understatement. I was 90% work, 10% life. I attribute that lack of balance, in part, to my professional appropriation of my creative spaces. ↩︎