
Shooting Ghosts

Policy wonk. Torontonian. Photographer. Not necessarily in that order.


Welcome to this edition of The Roundup! Enjoy the collection of interesting, informative, and entertaining links. Brew a fresh cup of coffee or grab yourself a drink, find a comfortable place, and relax.
“Talking about our problems is our greatest addiction. Break the habit. Talk about your joys.”
The whimsy, symmetry, and lines of these bowling alleys make me want to go bowling in Germany!
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McSweeny’s list, “Critically Acclaimed Horror Film Of The 2010s Or Your Ph.D Program?” strikes eerily close to home.
Number 2, in particular, seems familiar: “You find yourself in an opulent but sinister setting that possesses subtle but undeniable links to antebellum slavery. Everyone who has been there longer than you seems to have completely lost the will to live. You are warned by at least one of them to get out. You try to comply but powerful forces keep pulling you back.”
I’m absolutely delighted that Tool’s catalogue is now available through Apple Music; I’ve been listening to it almost non-stop all week.

Welcome to this edition of The Roundup! Enjoy the collection of interesting, informative, and entertaining links. Brew a fresh cup of coffee or grab yourself a drink, find a comfortable place, and relax.
I’m in the process of determining what new camera I want to buy, principally to replace my aging Sony rx100ii. That camera was bought in used condition, and has been to four continents and taken approximately 20K shots. It’s been dropped, frozen, and overheated. And even gotten a little damp from salt air! It owes me little and still produces solid (black and white) images: it seems that in my abuse I did something to the sensor, which means colour images sometimes just turn out absolutely wacky.
So what do I want versus what do I need? I know from my stats that I prefer shooting between 50mm-100mm equivalent. I know that I want a fast lens for the night.1 I don’t take action shots so I don’t need the newer Sony cameras’ tracking magic. I don’t want anything bigger than the Sony—it’s size is a killer feature because I can always carry it around—but definitely want a pop up viewfinder and a 90 degree tilt screen. I don’t want another interchangeable system: my Olympus kit has me covered on that front.
What do I want? I’d love to have easy access to an exposure dial. An internal ND filter would be super great. Some in-body image stabilization would also be stellar, and if I could squeeze in the ability to charge from a USB battery pack while keeping prices under $1,000 that would be perfect. Oh, and something better than Sony’s pretty terrible menu interface!
What don’t I need? Any more than 20MP, actual waterproofing2, a big body or permanent viewfinder, an APS-C sensor, audio-in features, dual SD card slots, or crazy fast tracking.
This currently means I’m very interested in some of the older Sony rx100 cameras—namely the iii and iv—and maybe the new Canon G5Xii. I know my actually photographic outputs are, in order, Instagram, my TV, photos on my wall (no larger than 24×36”), and then photo books. I know a 1” sensor is more than enough for all of those uses. Now I just need to see how the Canon’s reviews shake out, the cost of them, and then evaluate the differential between Canon’s and Sony’s cameras!
Taking pictures is savouring life intensely, every hundredth of a second.
- Marc Riboud
I have a set of abstract photos that I’ve taken over the years and, to date, while I appreciate them they aren’t ones that I’ve decided to print or routinely display. Still, several of the below abstracts (taken on smartphones) are inspiring just to look at and think about the process of developing the respective compositions.




After reading several articles from a special series in Elemental+ on ticks I’m now appropriately concerned about how dangerous ticks can be, and our utter inability to meaningfully address the threat.
It’s great that Apple is asserting the importance of privacy. But if they’re really, really serious they’ll stop enabling the Chinese government direct access to Chinese users’ iCloud data. And they’ll secure data on iCloud so that government agencies can’t just request Apple to hand over our WhatsApp, iCloud, Notes, and other data that Apple holds the keys to unlocking and turning over to whomever comes with a warrant. I’m not holding my breath on the former, nor the latter.

Welcome to this edition of The Roundup! Enjoy the collection of interesting, informative, and entertaining links. Brew a fresh cup of coffee or grab yourself a drink, find a comfortable place, and relax.
For the past few weeks I’ve been running a group of players through the Dungeons and Dragons adventure Princes of the Apocolypse and while, on the one hand, it’s been a lot of fun I’m having to make a lot of adjustments to get the adventure properly started. Specifically, I’m fixing the way that the adventure absolutely fails to really foreshadow things. This lack is a serious problem in my opinion; the players don’t really get exposure to the different weird cults, the power organizations’ members (e.g., Harpers or Zhentarim), or other mysteries in an organic fashion: instead, DMs are tasked with dumping a lot of information on the players in (to my eye) awkward and blunt ways. Making things worse, the major ‘hook’ in the adventure — the travelling troupe from Mirabar — just comes out of nowhere, with the PCs not really appreciating the group’s significance or reasons for why the PCs should really care.1
To address some of these limitations, I started my players in Neverwinter and as a part of an adventuring society, ‘The Order of Three Feathers.’ After meeting with the heads of their society and, also, organically receiving a few early adventuring hooks the PCs went off to the region to investigate bizarre occurrences. On their trip I dropped in the Starsong Tower adventure, with modifications: a hill arose near them during the night, with light being emitted from a crack in the side. Within, they found a lost fortress of Lathander (God of the Rising Dawn) which had been discovered, and converted, by members of the Cult of the Eternal Flame. My modifications mostly just entailed rescinding the adventure, and replacing Savrin (the spectre) with Savrin (a Flame Guardian). All of the cult members were, also, members of the Bronze Lions adventuring party: I intend, later on, to use this enemy adventuring party as a kind of band of hunters, who will seek to disrupt the PCs and other cults. Also, the dead adventurer carrying the wand of mending turned out to be a Harper agent (denoted by a Harp pin on the body) who was working in service of the Culture of the Crushing Wave.
Before the PCs start into the Feathergate Spire adventure, where they’ll run across yet another cult, I’ll be exposing them a little more symbology surrounding the Elder Elemental Eye so they’ll be keyed to watch for, and be mindful of, its symbol in relation to any of the cult symbols. The goal of all the foreshadowing is to organically make the later information the PCs collect be more understandable. As the module is written, at least to my eye, the players are expected to make pretty wild jumps to link all the groups and clues; hopefully the early additions (and frequent little notes and such I plan to add throughout the sessions) will help to reveal the actual plot and transform a principally dungeon-crawl game into something that’s more dramatic and epic from a storytelling perspective.
“The simple act of paying attention can take you a long way.”
— Keanu Reeves
Paul Johnson’s work, showcased at Colossal, reveals the power of water and its ability to transform lands and spaces humans have terraformed and built upon.
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It turns out that I liked a lot more songs in June than I’d expected. The 53 songs bias towards rock, rap, and pop, and are from about a decade and a half or so of different albums. I’d totally forgotten about Bran Van 3000’s “Drinking in L.A.”!
For the past few weeks, my iPhone has been randomly slowing down at different times. Specifically, applications have just stopped responding for 20-45 seconds, and continue to stutter along after recovering somewhat. My suspicion is that the behaviour is linked to either Instagram or the native Podcasts app based on what I’ve read online, but that’s pure supposition. Regardless, I did a total factory refresh of my decide and so far all the stutters are gone. Here’s hoping they stay away in perpetuity…

Welcome to this edition of The Roundup! Enjoy the collection of interesting, informative, and entertaining links. Brew a fresh cup of coffee or grab yourself a drink, find a comfortable place, and relax.
When I first really realized that I liked photography, it was while I was using the Fuji X100. The experience of shooting with it was really special but, unfortunately, I had to sell it during some unpleasant financial times. In its stead, I picked up (and have extensively used) a Sony RX100M2 and, later, an Olympus EM10ii. I’m a huge fan of both of those cameras, and I’ve been forcing myself to learn manual shooting (in black and white) with the RX100M2 over the past few months.
But…despite the fact that I’m really happy with how my photography has developed over the past year or so, I keep lusting for another Fuji camera. I’d like to imagine that the reason is I want to enjoy the colours of the Fuji line. I’m sure that’s (almost!) true! But, really, I think it’s more that I appreciated the aesthetics of the X100, that I disliked the reason and rationale for having to get rid of something that I loved, and that the idea of constraints in photography appeal to me.
So, what has me burning tens-of-hours per week on looking at cameras? It’s mostly associated with thinking if I want to get a X100S or X100T or X100F, or instead shift over to getting something like the Fuji X-Pro 1 (or even, perhaps, the X-T1) and a 50mm equivalent lens. I really like the idea of spending a lot of time shooting manual at 50mm, as 35mm just hasn’t ever come naturally to me. But the Fuji camera that I fell in love with was the X100…and so a rangefinder-style body is definitely what I really want to have on my shelf…
At the same time, I’m wondering if I should just hold out and either see if the next iteration of the X100 line comes with weather sealing, or if I should instead wait until there’s something interesting from Olympus, or just invest all of the money I’d dump into a Fuji system into some new 50mm equivalent glass for the M4/3 system…
“Old friends cannot be created out of hand. Nothing can match the treasure of common memories, of trials endured together, of quarrels and reconciliations and generous emotions.”
— Antoine de Saint-Exupéry
This work by Greg Girard (posted at My Modern Met) is just…wow…In his series of shots taken in the 1970s and early 1980s, Tokyo looks like Blade Runner or other truly classic science fiction movie or as described by the sci-fi authors of the time.
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I’m really loving Thom Yorke’s Essentials playlist from Apple Music.